FITNESS-2.1.1

Anatomy, Planes and the Compound Movement Patterns

Covers the major muscle groups, the three planes of movement, and the six compound patterns (squat, hinge, push, pull, carry, rotate) as the organising basis for session design, plus a first look at mobility and proper core training.

A guest asks you what a deadlift "actually works". You could list muscles for a minute and still not answer the useful question, which is what the movement is for and why the body organises itself that way. Instructors who think in patterns coach better than instructors who think in muscles.

The major muscle groups

Region Key muscles Main job
Posterior chain Glutes, hamstrings, erector spinae Hip extension, holding you upright
Anterior thigh Quadriceps Knee extension
Chest and shoulders Pectorals, deltoids Pushing, arm elevation
Back Latissimus dorsi, trapezius, rhomboids Pulling, scapular control
Core Rectus abdominis, obliques, transversus abdominis, deep spinal stabilisers Resisting unwanted movement of the trunk
Arms Biceps, triceps Elbow flexion and extension
Lower leg Calves, tibialis anterior Ankle drive, balance

The planes of movement

  • Sagittal — forward and back. Squats, lunges, presses, rows. Most gym work lives here.
  • Frontal — side to side. Lateral raises, side lunges, lateral band walks.
  • Transverse — rotation. Throwing, twisting, most sport, most real life.

Programmes that stay entirely in the sagittal plane leave a guest strong in a straight line and unprepared for anything else. Add frontal and transverse work deliberately.

The compound patterns

Everything useful you will ever coach is a version of one of these six.

Pattern Examples Cue that usually helps
Squat Goblet squat, box squat, split squat Knees track over toes; chest stays proud
Hinge Deadlift, Romanian deadlift, hip thrust, kettlebell swing Push the hips back, not the knees forward
Push Press-up, dumbbell press, overhead press Ribs down, elbows around 45 degrees
Pull Row, lat pull-down, band pull-apart Lead with the elbow, not the hand
Carry Farmer carry, suitcase carry Tall, braced, breathe
Rotate / anti-rotate Pallof press, cable chop, dead bug Resist the twist before you create one

Build a session from patterns, not from body parts. A guest with 30 minutes gets far more from a squat, a push, a pull and a carry than from an arm-focused circuit.

Mobility, flexibility and the core, briefly

Flexibility is passive range; mobility is usable, controlled range. Guests generally need mobility. And the core is not a six-pack — it is a stabiliser, and it is best trained by resisting movement (planks, dead bugs, Pallof presses, carries) rather than by endless flexion. Crunches by the hundred are a poor use of a guest's time.

Onboard Notes

  • Onboard, the carry pattern is a gift: it needs almost no space and it is hard to do badly.
  • Rotation work with a band is ideal at sea — no falling load, no room needed.
  • Coach the pattern, then the load. A guest who cannot hinge with an empty hand should not be holding a kettlebell.
  • Preparatory study only. Nothing here qualifies you to instruct. Leading guests requires an accredited qualification and professional indemnity insurance.

Practice questions

5 questions
recallcore

recall · core

Name the six compound movement patterns and give an example of each.

recallcore

recall · core

What are the three planes of movement, and why does it matter if a programme only uses one?

recallcore

recall · core

What is the difference between flexibility and mobility, and which do guests usually need?

oralstretch

oral · stretch

A guest wants "a flat stomach" and asks for more crunches. Explain, professionally, why that is a poor use of the session.

scenariostretch

scenario · stretch

You have 30 minutes with a guest and almost no gym space. Which patterns do you choose, and why?

Independent study. xplor is not an accredited training provider and awards no certificate. This course does NOT qualify you to instruct anyone: instructing requires an accredited qualification and professional insurance.

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